H        O        M        E

Under An Open Minded Sky

In the text given on the following pages I have maintained the font, punctuation and page configuration used in the version of the poem published for the opening of the Hawthorn Literary Festival, Hawthorn Town Hall, March 14, 1995 as much as possible. The original publication was typed onto foolscap sized pages, not A4 sized pages as used here. For this reason some spaces between lines or sections of the poem have been reduced.

Under An Open Minded Sky©Felix Nobis.

 

Fools and Heroes I

They were falling over backwards,

They were laughing at the sky.

They were smiling around bottles,

 and singing; Bye bye, Miss American pie,

In so so American accents.

And if his dad was still around

He'd smack some sense into him quick smart.

And if his mum knew where he was

He'd never leave the house again.

But they had thirty bucks,

And a faked I.D.

Twelve big brothers

In a case of V.B.

With a packeta Twisties

And Holiday 50's,

A hip flaska ouzo

And halfa J.D.

They had another eight hours

Stretched out before 'em

Black as a highway,

Right into mornin'.

He's never done this before, 'nd he's

Never done this before.

 

The night is like an ocean now.

  so cold 'nd calm,

    'nd still 'nd wide

      'nd still so far to the other side.

And Sam is a sailor.

In the middle of the football oval,

  with his bottle and his swagger

    and his best friend Max

    doing chin-ups on the score board.

And Sam drinks and winces

And dances on the grass.

And Max loses grip and lands ten feet on his arse

But a plane crash couldn't break drunk

                                         young

                                                  bones

And he stands and he groans

And he hurdles the fence

And he falls into step

And Sam can't stop laughin' to light two cigarettes

And they fall over backwards

And laugh at the stars

And smile around bottles

And play air-guitars

And sing at the night

The headlight moon

And cry tears of cold

And alcohol fumes

And god, but it's good to grow up, they say

    god, but it's good to be men.

    god, but it's good to be old, they say

'cause they'll never be that young again.

   and they'll never be that young again.

And, god, they'd make great heroes,

     if there'd only be a war,

     if good causes weren't all taken,

     there was still things 'round worth fighting for.

 

Jeez, they'd make top heroes,

      as they stumble through the dark.

      across the minefield football oval,

      through the jungles' St James Park.

 

     they'd make brilliant bloody heroes,

     if they just had a war to go to.

 

But all they get to makin'

Is a nuisance of themselves.

And wakin' the old women

           with their yahoo, bloody yells.

And smashin' stubby bottles

          'gainst the war memorial steps.

 

From park bench trenches,

By the glow of cigarettes.

Memorial

 

Pale.

Ashen.

Blotched with lichen.

Like an old man's skin.

 

Receiving visitors.

Although nobody's been

By for quite some time.

 

It gets difficult.

The old visit the old.

The old. Visit the old.

 

On a fine day

He'll watch the floral print women

Read large print books on

N fold-out chairs.

But on some days he broods.

Alone and he broods.

About the horrible burden he bears.

 

Valour. Duty. Peace.

Harassed in their sleep.

Crumble when it rains.

And Valour. Dut.

Is all that now remains.

...Peace was never gonna last long.

 

"Dedicated to the memory

Of their fellow citizens  who fought."

And their fellow citizens who thought

They would never fight again.

 

"In the Great War."                            World War II

 

...And the next war.                           Borneo

   and the couple more that we snuck in.

   'round the back.                            Korea

   chiselled up.

   modest as latecomers at a funeral.          Malaya

Peace was never gonna last long

Valour and Dut. Is all that now remains.

Dut (e)

 

Dut as it should be, some might say,

There should never have been a why in duty, anyway.

Ain't no bloody room for why's when it comes to duty, anyway.

Why?

Because it's your duty

Yeah, but why?

Because it's your duty.

Why

   (and it's hard to imagine

   these things so long ago,

   but every face in each school text book

   looks like Someone that I know.)

And only valour remains.

And valour always will

History contains

Such an excess of valour,

It overflows, spilling the blood of millions

Down into the drains of time.

Such an excess of valour,

Cheap as quaff wine,

Expendable as wanton seamen;

Keeps you up at night screamin'

"what am I supposed to do with all this?

I can't possibly use it all constructively,

There's just too much.

It'll only get me into trouble!

It'll end in tears."

Yeah, valour appears

      down the pages of history,

      through the ages of man,

      along the annals of misery,

      of civil wars

      and broken hearts

      revolutions,

      bleeding hands

      and broken windows.

      jungle arcade war Nintendoes

      punctured arms

      and shaved heads,

      Jack Daniels,

      Windfield Reds

      black eyes

      'round the kitchen table,

      petrol bombs

      in backyard sheds.

Such an excess of valour

 

That it plays on every football team,

Still haunts the Roman Colosseum,

There on every race track

Saying; this time she'll come through!

Been having unsafe sex

And it's hitch hiking round Europe

And it's started bungy-jumping

'cause what else is there to do?

 

A boat leaving a harbour

Valour's standing there on deck.

It's the life of every buck's night

The corpse in every car-wreck.

It's pissed at every party and proposing to drive home,

And it's coughed it's guts up smokin',

                      chokin' back just one more cone.

 

Where ever there is ouzo

There'll be lips to wrap around it.

You think that you've outgrown it

But then valour's gone and found it,

And it wakes up in a gutter,

And it's spluttering and pissed

And it's smashing bloody windows

With its bare bloody fist.

 

Where ever there is danger,

There'll be volunteer!

Where ever there are hormones,

Where ever there is fear!

Where ever there is trouble

Getting through a case of beer,

Valour gets up from the corner

and says; bloody, give it here!

Christ, it left home early,

    and it messed around with drugs,

        it got a tattoo

    and it lied about its age.

        it cheated on the missus

    and it beated up the kids

    and it only tried it once

    and it ended up with aids.

 

    and it'd go out every Saturday

        lookin' for  a fight,

     or throwin' V.B. stubby bottles

        at a peaceful Hawthorn night!

 

 

And it broke its mother's heart

And lay chokin' in the rain.

    but no matter what you do to it,

 

Valour.

Valour.

Valour remains.

Fools and Heroes  II

 

For a night turns many corners,

(as all good sailors know.)

And it's just below the surface,

Where the monsters are

      and memories wait

      and ghosts of long ago

      dance behind closed eyes,

   and sing lullabies in your head.

 

And Sam recognises faces,

    and choruses singing,

And he's trying to focus,

    but his stomach's giving way.

And his mind is a minefield,

And each thought he comes up with

Takes one wrong step

And gets blasted away.

 

And the beer is getting warmer

And not getting any smaller

And the ouzo tastes like rations

And it teases his throat before making its way down.

And he swears, each time he shivers

   it gets colder with each mouthful.

And when the war is over,

   it's always quite nice to go home.

 

And Sam is thinking about his mother, now.

Sleeping in her bed

And he wonders if she misses him,

And he wonders what's on telli,

And most of the good things have been said, by now.

Most of the good things,

Have long ago been said.

Valerie Maynes

 

Tick.  Tock.

 

Tick.  Tock...

 

The movie's over.

 

I missed some in the middle

              but I've seen it once before.

 

She just went up the street

To pick up some tea,

By the time she'd said grace

Over her K.F.C.

She'd missed a little.

        in the middle.

But she had seen it once before...

 

 

Another one's started.

 

Maybe just ten minutes,

Maybe I'll feel tired then.

She'd like to ring her mother,

But it's much too late again,

So maybe just ten minutes...

Valerie Maynes walks through her house like a stranger.

Straightening pictures of places

                       and people that she doesn't know. Staring in mirrors at faces,

                       and feeling so low, she's in danger

Of losing herself in the shagpile,

And the corridor's moving so slow.

 

Valerie Maynes, switches on the kettle

In the flickering

       fluorescent lighted kitchen

                   where the Christmas beetles

                   crack against the glass...

 

       and it was O.K. being lonely

       when her husband was still home,

       but it gets even harder

       when you do it on your own

       and everything happened so fast.

 

So, just a quick cup of coffee

    and another sleeping pill,

    I don't do it very often

    I'm not feeling very well.

    (and a nail in the coffin

    and a little drink as well,

    while the children are away,

    I mean, goodness, what the hell.)

Sammie's staying a friend's house.

 

The carpet by his door is worn down threads

                        with football boots

                          and dragging feet

         and tantrum stomping time for beds

 

She puts her face against it

And can almost feel his feet.

Pittering and pattering their way across her cheek.

 

And from way down here

She can almost see his tears,

Welling in her eyes.

Almost hear his cries,

Even better than her

Own of all those bloody years

That his father would come home.

 

All those bloody nights that their kitchen was a war zone,

A flickering, fluorescent lighted

Battle field of beer bottles,

                chicken wings

                and broken bone.

 

All the bloody tears that were wasted in this kitchen,

Could never contend with a case of V.B.

And then Sunday mornings in surgeries stitchin'

         what a brave boy was Sammy,

         what a good little soldier,

         what a brave little soldier was he.

And from way down here,

She can almost see...

Can almost see his tears,

Welling in her eyes,

Can almost hear his sighs,

Even better than her own,

Can almost see him choking,

Can almost hear him groan.

Can almost feel him tickling

                    that small stick of sick

                    in the back of his throat,

                    stuck in there sideways,

                    don't want to come out,

                    and then empty his insides

                    on memorial steps.

Valerie Maynes gets up

And makes her way down the minefield corridor.

                    boys go off and fight themselves,

                    but it's women who fight a war.

That's what her mother told her.

                    we fight the same battles,

                    we just make less noise than men.

She'd like to ring her mother,

But it's much too late again,

So, another cup of coffee

    and a quick sleeping pill,

    I don't do this very often,

    I'm not feeling very well.

    (and a nail in the coffin

     and a little drink as well,

     while the children are away,

     ...I mean, goodness...

                what the hell.

Fools and Heroes  III

And Sam?

Sam is a soldier now,

He's pale.

He's ashen,

He's blotched with lichen

Saying I can get through this.

       I can get through.

       I'm just a bit pissed 

       and I'm havin' a spew.

But the night closes its eyes above him.

And a bullet hole moon shoots

Through his skull,

And he falls over backwards.

And there was a remarkable lull in the trenches that night.

And you could've heard a tear drop.

 

And the stars went and hid behind Turkish clouds

And shepherds and kings stumbled about aimlessly.

Lost as drunkards in a schoolteacher's house.

And nothing was stirring.

Not even a mouse.

 

And in a school room history class,

With fans clicking slowly

And girls in blue stockings,

It;s hard to imagine the rats.

                     and hunger,

                     and trench rotted toes.

And it probably sounds half crazy

and he's never told nobody,

But every face in each school textbook

Looks like someone that Sam knows.

And the faces flash before him and

Sing strains inside his head.

And he feels himself still falling

And the full moon is a headlight.

And there's corpses in the clouds

And there's concrete in his bed

And as he falls he hears them singing

And he hears his head colliding

And he's sure he hears them singing

Like the way they sung that night.

The way they sung that silent smashing,

                       frozen fucking night.

 

And in seventeen years

He'd never seen a sound as sad as that,

Nor heard a night as black,

Nor smelt such distant, burning baking rain,

Nor cried more like an orphan,

Or ever would again.

 

In seventeen years

He's never wanted more to hold a hand,

And he's never been so far from her,

Yet somehow feels so near.

And the things he wouldn't do

For a Glenferrie Rd tram

To take him back to his sweetheart's

And the hell out of here.

 

'cause he never saw the reason

In the first bloody place.

And he never even got to see

His eighteenth Christmas day.

As the first two bullet holes of rain

Exploded against his face,

And the night closed in around him

And it took his head away.

Wake. Wet. Up. Dead.

 

And Sammy's asleep

With his hands 'round a bottle

And face in a puddle

And his best friend Max

Doing chin-ups down memorial steps.

Crawling toward him,

 as pools of vomit

Explode like land mines.

In crumpled carnage

Of wet cigarettes.

Wake. Wet. Up. Dead.

 

 

Wake. Wet. Up. Dead.

 

And she switches on the kettle

In the flickering fluorescent lighted kitchen

As the Christmas beetles

Kamikaze crash

Against the window pain,

Like pelting rain.

Bounce and stumble

Crash again,

Created by the lord before he'd even thought of glass,

They never stood a chance,

Bottles of tears,

Pounding against nothing,

Just like she's done all these years.

And coming back for more,

Just like she's done all these years.

Wake. Up. Dead. Wet.

Dead. Wake. Up. Wet.

And they're falling over backwards,

And they're laughing at the sky,

And they're singing Christmas carols

Which I've heard Christmas beetle

Singing as they die.

They were smiling around bottles

They were drowning in the trenches

As the rain fell in buckets

And belted the ground.

And she remembers the blood

And she remembers the bruises,

But she misses the company

When he's not around!

And sandstone melting

And backhand belting

And crumbling words

Duty and peace

Dissolve into creeks

And Sam's under water.

And Max just freaks,

And goes; please don't die, Sammy!

Please don't die!

And finger nail lightening

Pierces his eye.

And car-crash thunder

Explodes in his head,

He goes; please don't be dead,

Sammy, please don 't be dead!

And the night is in serious need of attention.

It's got a bit of explaining to do.

And cats and dogs aren't rating a mention,

It's raining a fucking entire zoo.

Mrs December

Through the park,

        she thought

        she caught a glimpse,

            as she slowly hobbled home.

 

Amongst the Pollywaffle wrappers,

Amongst the brown paper bags

        being blown down Wood Street.

 

Oh, and these old feet, she says

                    and she stops

                    and she stamps them on the ground,

          she says; we've been around,

                    haven't we?....We three.

And they agree,

    but tell her that she should be

                      long asleep by now.

But sometimes sleep hides from her,

And goes and plays with distant youth,

And to tell you the truth, she quite likes the night.

And at breakfast time

    they'll tell her

         that she ought to take more care,

Still, she feels sometimes so close to him,

       she's sure he must be out there.

 

And though the park

           she thought

           she caught a glimpse.

               before the clouds switched off the moon,

           and the war memorial loomed a brooding shadow

            across the hawthorn bowling club.

              and she looked up

               and she thought

                 she caught...

She thought she caught a glimpse of him,

Maladroit and giggling.

With his lemonade smile

And his out-back jaw,

And his smart new uniform.

...Discarded on the floor.

   and she thought she saw...

       she thought she saw...

And she thought she caught a glimpse of him,

Standing by the bowling green

Wearing a smart white uniform, now.

And Panama hat,

    over bald, blotchy brow.

And shirt over belly,

               unbuttoned and out,

And waging great battles,

'gainst arthritis and gout....

Some things are too late to be thinking about.

Besides,

It's a cold, old wind that's a started up this street,

Loud enough to wake the dead leaves around her feet.

Bounding down the Dandenongs like devils in a bush fire,

As purple and as bossy as a salvation army choir.

And it's speaking with its mouth full,

And coughing in one's eye

And rude enough to outrage

The most open minded sky,

And; my oh my, she says,

     we'd best get ourselves home,

But the first two bullet holes of rain

Explode on sidewalk

And stain the sandstone gutter

 

And the war memorial groans

And the bowing balls mutter to each other

                 that you should be long in bed by now

                 you should be fast asleep.

Oh, but these two feet

    are just too tired

And it's too dark for these eyes.

And everything has just gone quiet,

As if she's happened upon...Some surprise party...For her?

                                                  out here?

                                                  and you?

She thought she caught a glimpse of him

Fingers crossed and questioning.

  still, it was good to grow up,        she says.

     oh, but it's good to grow old.

     god, but it's good to come to home, she says

 

And she's trembling like a schoolgirl,

But she takes hold of his hand,

And she feels his skin against hers,

And thinks; well, this is it.

He strokes her dried apricot cheek

And says; you haven't changed one bit.

 

And she says;...Oh, get away with you.

And the night quakes and quivers

And the full moon switches on.

 

And Max says; Jesus, mate,

              I really thought that you were gone.

 

And Sam splutters rivers

 and is coughin' like a one-lunged dero

                 in a boarding house bed.

        shiverin' and chokin' and he's nodding his head.

 

Not by a longshot though, he's not in his head..

 

Max's dancin' 'round sayin' somethin' stupid like;

It's a shame, really mate, I had my eye on yer bike.

As the first stick of daylight goes off on the horizon.

And the clouds are sent home.

Sam closes his eyes,

And this town's grown a few stories older this morning.

But they won't all be told around

                           kitchen tables, tonight.

Not all stories are meant for the telling.

 

Sometimes, some things just happen,

That's just what you're gonna find,

Provided that your sky's in the right frame of mind.

And provided that you're open

                  to the kind of attention

                  that's gonna be paid to you

                  from time to time.

 

...Sometimes, some things just happen.

There's a pair of cigarette-sick 'n' soakin' wet boys,

There's a lady in the gutter and there's nothin' on t.v.

Someone's sleepin' in a kitchen to a flickering noise.

And everything just kind of the way it should be.