In some cases the structural
and semantic examples may be interchangeable, if this is the case a semantic
example may be omitted.
|
Term |
Linguistic definition |
Music structure example |
Music semantic example |
|
lexeme: |
An ordinary linguistic
expression. An example of this is a word. |
A motif or phrase that is seen
as a single unit and iterated through the composition. An example of this is
the opening motif in Beethoven's 9th Symphony. |
A motif or phrase that is seen
to evoke an emotion or refer to a cultural/social icon. An example of this is
Berio's use of quotes from Mahler's 2nd Symphony in his 'Sinfonia'. |
|
seme: |
Semantic atoms, that is a
minimal unit of meaning that is always present in the lexeme, this semantic
atom can have an ambiguous meaning. An example of this is the suffix
'ness' to denote having the qualities of the noun to which the suffix is
attached. |
A pitch interval or timbre that
is always present in the motif/phrase and which can change structural
meaning. |
A motif, phrase or musical
device which is used to denote something extra-musical. An example of this is the
signature melodies in Prokofiev"s "Peter and the Wolf", each
of which denote specific characters. |
|
semic nucleus: |
Invariable semes that are always
present in the discourse. An example of this is the word 'and', which always
serves as a conjunction between two ideas. |
A pitch interval, rhythmic
phrase or timbre that is always present in the motif/phrase and which has an
unambiguous role. An example of this is the ring drum in the music of Ghana. |
|
|
sememe: |
A seme that has been clarified
by its context |
A specific group of notes that
function as a I, or any other type of chord in a traditionally tonal piece,
chord due to tonicization. |
|
|
classeme: |
A single seme that controls a
large passage |
A rhythmic motif such as that
used in the guiro rhythm in Cuban music. |
The predominant rhythmic motif
in Ravel's Bolero is an example of this. |
|
isotope: |
A predominant theme that
controls the meaning of other semes. |
A tonic chord in a tonal piece
or a tone row in a serial piece. |
|
|
syntagm: |
A pattern of classemes and
sememes. |
A sequence of specific
structural value, for example a sequence of tonicizing dominant chords used
to return to the key of a tonal piece. |
The interval sequence for the
chorus of Everyday People, shown in Figure 4.2 above, is an example of
this. |
|
Term |
Linguistic definition |
Music structure example |
Music semantic example |
|
Global isotopies: |
Global isotopies remain constant
throughout the length of the discourse. |
Orchestration of a piece, in
that the instruments chosen create certain structural possibilities and
expectations. |
Audiences build semantic
expectations on the described orchestration of a piece. For example a piece
listed as for solo violin may have create different expectations in an
audience than a piece for violin and timpani. |
|
Partial isotopies: (isosemies) |
These are isotopies that can
disappear when the passage is condensed. |
Using different instruments of
the orchestra at different times for the purpose of structural clarification
is an example of this. |
|